I’ve read so many books there! War and peace, Cities in the plain…
Also during all these months I’ve improved my musicality a lot. It’s much easier to focus on music when you’re seated and you don’t have to make/lead steps.
This room where we were practising A.T is not in a dance studio but is part of an unknown, remote theater where no public ever attends but which is used intensively as a school for aspiring comedians and clowns, or for rehearsals. Once, a comedian playing a beggar, unshaved and holding a half-empty bottle of beer, entered the room and began commenting out loud about our dance and mimicking our steps. Nobody answered him and finally he left, grabbing some cookies on his way out. Oops, was a real beggar.
One day the practise ended.
Last Saturday it reopened, in a somewhat different form. The aspiring clowns/comedians now have monthly A.T discovery sessions as part of their training. Then there is the practise, open to anyone, where I went for the memories, the tea and the cookies.
“They’re all absolute beginners“, the teacher explained me. “But also they’re not ordinary people, they can juggle and walk on a string.”
While the comedians were very similar to regular beginners, leading the clowns was not a piece of cake. Even without their big shoes, they walk like ducks when moving forwards. They escape from the abrazo whenever they can. They never stand still, forget about making a pause.
Even leading anything at all is not that easy, they can improvize and will find their own way to follow your lead. They get bored quickly, you have to keep them interested. They like very much the playful parts of A.T, like the barridas, but first you have to catch their shoe. Doing steps the simple way is an unknown concept, they’ll do the CW front ochos on the left foot.
At the end I was mainly leading them into quick giros, at least it kept them busy.